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导游唐曾带着女友晨曦回家乡游玩，长途车上遇见了谎称来考古的罗平与麦家琪，并答应了给他们当导游。 唐曾带领大家进入了森林，途中唐曾越发觉得罗平行为诡异，于是罗平和麦家琪二人起了疑心。晚餐时罗平喝了毒蘑菇汤后致幻，无意间说出此行是为了寻找墓穴宝藏而来。 麦家琪告诉大家因为家传古书里记载了这里的墓穴，寻找墓穴会上报国家而不是盗取。为了保护墓穴，唐曾同意协助麦家琪、罗平两人寻找墓穴。 一个黑色的影子一直跟踪着他们，眼看就快要找到宝藏，罗平却被黑影杀害，唐曾拆穿了黑影的真实身份，发现这一切都是罗家兄弟二人精心策划的阴谋。。The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。kakao TV原创综艺节目《Change Days》是一档情侣重置节目，为因为长期恋爱、工作、性格倾向、恋爱方式的差异等原因而失去心动的2030情侣们寻找“新开始”。3对情侣通过一周的旅行，各自思考自己想要的幸福恋爱形态，寻找"|为了我"|的真正幸福结局。 每对情侣在旅行最后一天将会抉择是否要与现有的恋人继续恋爱，还是选择美丽的离别，或者会迎来新的开始，最终决定的新鲜形式备受瞩目。。