视频简介
Eburi is a 36 year-old man. Nothing enthuses him any more. While being drunk, he promises to contribute a story to a magazine. When he sobers down, he decides to write about the life of a salaried employee like himself who is very ordinary, not particularly talented. The following is his story: In 1949, Eburi gets married to Natsuko. His monthly salary is 8,000 yen and hers 4,000 yen. Therefore, both have to work to support themselves. Eburi has developed a habituIl tendency to pester around when he gets drunk. One year after their marriage, son Shosuke is born. In 1959, Eburi's mother dies in despair of her husband who has become listless due to the several ups and downs of gaining big profits and going bankrupt. His father is still alive and Eburi is enable to find a way to pay his father's debts. He is doubtful if he can make his wife and child happy. Nevertheless, he has somehow managed to survive so far, living in one of the houses at the employee housing quarters. He gives the title "The Elegant Life of Mr. Everyman" to his story of half novel and half essay style. When it is published, it receives the Naoki Literary Prize (the award given in memory of popular writer Naoki Sanjugo). At a party to celebrate his award, he gets drunk and pesters around. Notes The film is based on a novel written in the style of an essay under the same title by Yamaguchi Hitomi, depicting everyday life of a man categorized as "During-the-war Generation" who spent school days during the war and get married to start new life in the struggling post-war era. "Everyman" in the title means an average salaried employee who makes up an overwhelming majority of the city population in Japan, and "The Elegant Life" indicates sarcasm on betterment of the standard of living of ordinary salaried employees accompanied with Japan's economic growth after only a decade from the destroyed post-war period. As depicted in the film, the author Yamaguchi Hitomi was awarded the Naoki Literature Prize for this story. When he established himself well enough to become independent, he quit working as a salaried employee. Director Okamoto Kihachi and the leading actor Kobayashi Keiju belong to the same generation as the author. Exploiting innovative effects such as inserting animation sequences, the film humorously presents compassion of a middle-aged salaried employee. Kobayashi Keiju, who was originally noted for his excellent portrayal of salaried employee, won the best leading actor award of the Mainichi Film Contest for his superb performance in this picture.。本故事主要讲述了方浩在过失杀死女友后，总是能看见女友复仇的画面，保外就医接受治疗时，医生发现他在犯罪后内心极度逃避罪责，又因为头部创伤而产生了解离症，并因此分裂出一个次人格来替换掉本身的主人格。本片表达了一时的冲动犯罪可能会让人终生生活在精神痛苦之中，对预防犯罪具有一定的警示作用。片中的医生吴哲小心地呵呼精神病人，为防止病人的精神奔溃，采用高超的医术和非常规的方法来治疗，体现出医者仁心的思想品质。片中的主角在被吴哲告知了主人格被替换的事实后，依然排斥真相借此来逃避心理上的罪恶感，最终病情加重完全丧失了自我。这一悲剧性的结局设定，批判了做错事不能承担起责任的逃避心理。也讲述了人如果无法直面自己的错误，有可能会丧失人格的寓言故事。。
