视频简介
司馬宙はカーレースで瀕死の重傷を負い、父親である司馬博士の技術でサイボーグとして生まれ変る。すでに司馬博士自身は亡くなっているが、その知能と意思の全てが巨大コンピュータの中に収められ、マシンファーザーとして司馬を指導する。司馬博士殺される原因となったのは、彼が発掘した銅鐸が、敵の古代帝国である邪魔台国の重要な秘密を握っていたためだ。それが今、司馬宙の体内に埋め込まれている。その銅鐸を奪うために、古代よりの侵略者、女王ヒミカとその配下たちが操るハニワ幻人が襲来する。卯月美和の乗るビッグシューターから射出されるジーグのパーツと、頭部に変形する宙が合体、鋼鉄ジーグとなって磁力を駆使した戦闘用オプションパーツを使いハニワ幻人を倒し、ヒミカの野望を打ち砕く！。Herbert Vesely was one of the promises for a new German cinema already in the 50's, but after the 60's his star was already dimmed. He made a small number of films in the 70's and 80's, all non too good. This biography of Egon Schiele, one of the most important Austrian artists, is an example of the pretensions and emptiness of a Vesely-film of later date. The life of Schiele is presented here as a puzzle| well, Vesely thinks that Schiele's life was a puzzle: the core of the story is centered around the famous 1912 pornography trial and using this as base the film shows fragments of past and future. The problem is that it never becomes a unity and that the order of scenes and sequences seems to be at random: a cut-and-paste job that could have had any other result. Indeed, after seeing it twice I am almost convinced of it that a unsatisfactory linear thought-out film was changed into the puzzle in the editing room. Egon Schiele was an enigmatic man, but not a total puzzle, and this film does not bring him any closer. The films also fails in conveying the eroticism and meaning of the Schiele's paintings: the camera watches and glides over the models without any understanding of Schiele's intentions, we only see beautiful naked bodies. If interested in Schiele, you better buy a book with his works in stead.。