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文秀对杀手生涯渐产生厌倦，遂向组织提出请辞，希望能独个儿回到大澳渔村过其隐居生活。不久，她便接下组织委派的最后任务，满心欢喜地投向男友怀抱之时，对方竟向她开枪。原来，此乃组织的布局安排，以确保机密不泄。最后，秀在歇斯底里下杀了男友，负伤逃回大澳。逃亡途中，茶室年青老板杜维根与伙记初三救回她垂死的生命，并在两人悉心照料下，秀很快复原，继而投入乡村生活，令她再次接触到人生美好一面。与此同时，根向秀表示爱意，秀感动之余正感犹豫不决之际，杀手突然出现，秀无奈只得放下感情，再次踏上逃亡生涯，最后却连累初三枉送性命，内疚痛苦的秀决定向组织报复，勇闯龙潭。。This very Kafka-esque film is Keaton's response to the Fatty Arbuckle scandal.[citation needed] Even though the central character's intentions are good, he cannot win, no matter how inventively he tries. He gets into various scraps with police officers throughout the film. Eventually, he unwittingly throws a bomb into a police parade and ends up being chased by a horde of cops. At the end of the film, Keaton's character locks up the cops in the police station. However, the girl he is trying to woo disapproves of his behavior and gives him the cold shoulder. Therefore, he unlocks the police station and is immediately pulled in by the cops. The film ends with the title "The End" written on a tombstone with Keaton's pork pie hat propped on it. One of Keaton's most iconic and brilliantly-constructed short films, Cops was deemed "culturally, historically, or aesthetically significant" by the United States Library of Congress and selected for preservation in their National Film Registry in 1997.。